CURATING TRIPLEX CONFINIUM. HOW TO BUILD UP AN EXHIBITION
Exhibiting architecture has been a practice used by architects since the beginning of modernity. Lately, it can be considered not only an occasion for displaying end products and bold ideas, but also an appropriate environment and a creative process that allows exploration and learning, questioning, debating within the presence of different levels of encounters between the professionals and the public. The
THE HIDDEEN SPACES
At first glance, a red and white patterned carpet should float along the longitudinal axis of the drying building. At second glance, it should look more like a ramp. Think of Bourgeois and Zumthor's work in Norway, and note: the space has an extraordinary atmosphere. Approach the ramp to find that you have been deceived, someone has altered the quality
The scope of the workshop was to introduce participants to the basics of photogrammetry, while mapping a part of the out-door exhibition of Terra Studio, in Kikinda, Serbia. Students were taken through a crash-course on the different stages of photogrammetric data capture, in order to better understand what the specific challenges for each step are. Photos of ceramic sculptures and
SPEAKING WITH COMMUNITIES
UBB worked alongside UAUIM in the 5th workshop “Curating Triplex Confinium. How to build up an exhibition”, offered for all of the students enrolled at the Kikinda summer school. This workshop intended to explore the making-of of the exhibition dedicated to the dissemination of the experiences from the Triplex Confinium project. In order to do that, the coordinators of the
HERITAGE OF THE BRICK INDUSTRY IN KIKINDA
As we did at the first Triplex Summer School in Jimbolia during the past september of 2021, in Kikinda we also bet to work with the memory and the remains of the built heritage of the town of Kikinda.
The “Say Clay” workshop represents a continuation of the previous exploration conducted in Jimbolia in the Think Brick workshop. While the focus of the previous workshop was on the application of the finished ceramic module – a brick, which is widely available in the Banat region, the focus of this workshop is placed on making an actual clay product. The
LTT2 KIKINDA CLOSING EXHIBITION and Multiplier event.
On the 14th of April, the compound of the Terra Studio in Kikinda hosted the second multiplier event and closing exhibition of the two summer schools organized as learning teaching training experiences within the Triplex Confinium strategic Erasmus partnership. For the second multiplier the emphasis was placed on local communities and their reception of the Think Brick submissions as well
WORKING WITH G.I.S.
The Introduction to GIS lecture and the the two support workshops (working with GIS, and Understanding Water as a tool for forming heritage), offered Triplex Confinium students with theoretical knowledge as well as practical competence in mapping the competition site. The tested tools and mapping methodologies will set the basis for our enhanced GIS course.
WORKING WITH/ON THE CULTURAL LANDSCAPE
The term "cultural landscape" embraces a diversity of manifestations of the interaction between humankind and its natural environment. Cultural landscapes often reflect specific techniques of sustainable land-use, considering the characteristics and limits of the natural environment they are established in, and a specific spiritual relation to nature.
How to turn a brick into something worth gold? If we want to answer such a question, we must understand the basic properties of brick. For centuries, great master builders possessed the gift of alchemist, knowing how to turn the tectonic properties of brick into precious architectural objects. Brick is one of the oldest known building materials used for more